Sesame Street DVD's deemed "not suitable for children"

[Friday]

http://www.shortnews.com/start.cfm?id=66698
Sesame Street DVD's Dubbed 'Not Suitable for Children'
     
Early episodes of the legendary children's TV show Sesame Street which have been released on DVD come with a new warning stating that Sesame Street: Old School is for adults-only.

The reason for the warning has been put down to the fact that children nowadays are unprepared to witness the likes of Cookie Monster holding and eating a pipe and that Oscar the Grouch is too miserable for today's kids.

Volumes 1 and 2 of the popular children's programme were first aired in 1969 and were brought to you by the letter P and the number 4.
   

[Lloyd Danforth]

I read this the other day.  PC to yet a new level!  The arrival of SS and my parents color TV came at the same time.  I would get 'high' and watch it, convinced it was created for stoned adults.

[Friday]

http://www.nytimes.com/2007/11/18/magazine/18wwln-medium-t.html?_r=2&oref=slogin&oref=slogin
Sweeping the Clouds Away

Sunny days! The earliest episodes of "Sesame Street" are available on digital video! Break out some Keebler products, fire up the DVD player and prepare for the exquisite pleasure-pain of top-shelf nostalgia.

Just don't bring the children. According to an earnest warning on Volumes 1 and 2, "Sesame Street: Old School" is adults-only: "These early 'Sesame Street' episodes are intended for grown-ups, and may not suit the needs of today's preschool child."

Say what? At a recent all-ages home screening, a hush fell over the room. "What did they do to us?" asked one Gen-X mother of two, finally. The show rolled, and the sweet trauma came flooding back. What they did to us was hard-core. Man, was that scene rough. The masonry on the dingy brownstone at 123 Sesame Street, where the closeted Ernie and Bert shared a dismal basement apartment, was deteriorating. Cookie Monster was on a fast track to diabetes. Oscar's depression was untreated. Prozacky Elmo didn't exist.

Nothing in the children's entertainment of today, candy-colored animation hopped up on computer tricks, can prepare young or old for this frightening glimpse of simpler times. Back then — as on the very first episode, which aired on PBS Nov. 10, 1969 — a pretty, lonely girl like Sally might find herself befriended by an older male stranger who held her hand and took her home. Granted, Gordon just wanted Sally to meet his wife and have some milk and cookies, but . . . well, he could have wanted anything. As it was, he fed her milk and cookies. The milk looks dangerously whole.

Live-action cows also charge the 1969 screen — cows eating common grass, not grain improved with hormones. Cows are milked by plain old farmers, who use their unsanitary hands and fill one bucket at a time. Elsewhere, two brothers risk concussion while whaling on each other with allergenic feather pillows. Overweight layabouts, lacking touch-screen iPods and headphones, jockey for airtime with their deafening transistor radios. And one of those radios plays a late-'60s news report — something about a "senior American official" and "two billion in credit over the next five years" — that conjures a bleak economic climate, with war debt and stagflation in the offing.

The old "Sesame Street" is not for the faint of heart, and certainly not for softies born since 1998, when the chipper "Elmo's World" started. Anyone who considers bull markets normal, extracurricular activities sacrosanct and New York a tidy, governable place — well, the original "Sesame Street" might hurt your feelings.

I asked Carol-Lynn Parente, the executive producer of "Sesame Street," how exactly the first episodes were unsuitable for toddlers in 2007. She told me about Alistair Cookie and the parody "Monsterpiece Theater." Alistair Cookie, played by Cookie Monster, used to appear with a pipe, which he later gobbled. According to Parente, "That modeled the wrong behavior" — smoking, eating pipes — "so we reshot those scenes without the pipe, and then we dropped the parody altogether."

Which brought Parente to a feature of "Sesame Street" that had not been reconstructed: the chronically mood-disordered Oscar the Grouch. On the first episode, Oscar seems irredeemably miserable — hypersensitive, sarcastic, misanthropic. (Bert, too, is described as grouchy; none of the characters, in fact, is especially sunshiney except maybe Ernie, who also seems slow.) "We might not be able to create a character like Oscar now," she said.

Snuffleupagus is visible only to Big Bird; since 1985, all the characters can see him, as Big Bird's old protestations that he was not hallucinating came to seem a little creepy, not to mention somewhat strained. As for Cookie Monster, he can be seen in the old-school episodes in his former inglorious incarnation: a blue, googly-eyed cookievore with a signature gobble ("om nom nom nom"). Originally designed by Jim Henson for use in commercials for General Foods International and Frito-Lay, Cookie Monster was never a righteous figure. His controversial conversion to a more diverse diet wouldn't come until 2005, and in the early seasons he comes across a Child's First Addict.

The biggest surprise of the early episodes is the rural — agrarian, even — sequences. Episode 1 spends a stoned time warp in the company of backlighted cows, while they mill around and chew cud. This pastoral scene rolls to an industrial voiceover explaining dairy farms, and the sleepy chords of Joe Raposo's aimless masterpiece, "Hey Cow, I See You Now." Chewing the grass so green/Making the milk/Waiting for milking time/Waiting for giving time/Mmmmm.

Oh, what's that? Right, the trance of early "Sesame Street" and its country-time sequences. In spite of the show's devotion to its "target child," the "4-year-old inner-city black youngster" (as The New York Times explained in 1979), the first episodes join kids cavorting in amber waves of grain — black children, mostly, who must be pressed into service as the face of America's farms uniquely on "Sesame Street."

In East Harlem and Bedford-Stuyvesant in 1978, 95 percent of households with kids ages 2 to 5 watched "Sesame Street." The figure was even higher in Washington. Nationwide, though, the number wasn't much lower, and was largely determined by the whims of the PBS affiliates: 80 percent in houses with young children. The so-called inner city became anywhere that "Sesame Street" played, because the Children's Television Workshop declared the inner city not a grim sociological reality but a full-color fantasy — an eccentric scene, framed by a box and far removed from real farmland and city streets alike.

The concept of the "inner city" — or "slums," as The Times bluntly put it in its first review of "Sesame Street" — was therefore transformed into a kind of Xanadu on the show: a bright, no-clouds, clear-air place where people bopped around with monsters and didn't worry too much about money, cleanliness or projecting false cheer. The Upper West Side, hardly a burned-out ghetto, was said to be the model.

People on "Sesame Street" had limited possibilities and fixed identities, and (the best part) you weren't expected to change much. The harshness of existence was a given, and no one was proposing that numbers and letters would lead you "out" of your inner city to Elysian suburbs. Instead, "Sesame Street" suggested that learning might merely make our days more bearable, more interesting, funnier. It encouraged us, above all, to be nice to our neighbors and to cultivate the safer pleasures that take the edge off — taking baths, eating cookies, reading. Don't tell the kids.

Points of Entry

Caveat teletor: Volumes 1 and 2 of "Sesame Street: Old School" are available on DVD, which you can sample and buy on Sesameworkshop.org. With a few episodes, extras and celebrity appearances by the likes of Richard Pryor and Lou Rawls, "Old School" sounds harmless enough. But are you ready to mainline this much '70s nostalgia?

The Way Old: YouTube is great for performance art. If 1969 is not far back enough for you, how's 1935? The Oscar-winning short film "How to Sleep," by the Algonquin Round-Tabler Robert Benchley, can be found here in sumptuous black-and-white; search for his name and the film's title on YouTube.

Come of Age: Marshall Herskovitz and Edward Zwick, the men of "My So-Called Life" and "thirtysomething," have at last introduced their online-only young-adult series, "Quarterlife." It started Nov. 11 on MySpaceTV.com, and it marks the first time a network-quality series — a long indie film, really — has been produced directly for the Internet. If the old times unnerve you, welcome to the new times.

[SethCohn]

Early Sesame Street (and Electric Company!) == subversive kids who question authority, etc.
Later Sesame Street == pablum fed masses.

[Kat Kanning]

Oh, I liked electric company too.

[TackleTheWorld]

Now a period is just a little dot.
But it occupies a very special spot.
If you should see a period, my friend.
You'll know a sentence just came to an end.

[Porcupine_in_MA]

I was never that into Sesame Street, I liked Mister Rogers and Electric Company, 321 Contact and Zoom. This is ridiculous of course. I did love the Snafulapagus or however its spelled, and Oscar the Grouch.

[d_goddard]

Sesame Street jumped the shark when Snuffy was no longer Big Bird's "imaginary friend".

Anyway, I got the dangerous "old school" DVD for my son a few months ago. I popped it in, expecting to relive childhood, and was disappointed.

See, for the past year, Maxwell (and I) have been watching Schoolhouse Rock on DVD. I am so impressed with those little cartoons -- so much learning, made so easy! Maxwell, before he was 3 years old, could count from 3 up to 30 by 3's: "3 6 9, 12 15 18, 21 24 27... 30!" How cool is that?

Sesame Street, in comparison, is information-scarce, and alternates between long, boring, no-plot segments and overstimulated "trip-outs". I loved it as a kid, but looking at it now, I was not impressed and neither was Maxwell.

Mr. Rogers, OTOH, is great. I feel all warm and happy when Fred "the dope-smokin' Presbyterian minister" sings his tune and changes into comfy shoes.
...but...
He's nowhere near as fun and educational as good ol' School House Rock.
When you see him sometime, ask Maxwell about the parts of speech. "A noun is a person place or thing..."

[lildog]

Great, next thing they'll tell me is "It's always sunny in Philadelphia" isn't suitable for my kids either.   

Seriously though... this is just one more step toward the Oprah-fication of America.  Our kids are forced into sheltered lives and can no longer handle anything... maybe that's what's leading so many kids into blowing people away with guns.

[Porcupine_in_MA]

I loved the Blood Hound Gang.."if it wasn't for those dratted kids, I would have gotten away with it!!"

[Friday]

Zoom was a cool show.   It's amazing what you can remember when it's put to a little tune.

ZOOM Z double-O M
Box 354
Boston Mass
0hhhhh 2 11111 3 4rrrrrrrr
Send it to Zoom!

And Schoolhouse Rock was da bomb.   Their greatest hits video is on my Christmas list.  I have been known to sing the entire preamble to the Constitution when inebriated. 

Pop quiz: does anyone besides myself recall the origin of this educational little ditty?
Albania,
Albania,
You border on the Adriatic
You're a red Communist country
And your major export is coal!

[toowm]

I was a little too old for Sesame Street and didn't like Mister Rogers or Captain Kangaroo.

Anyone grow up in Chicago watching Ray Rayner? Cuddly Duddely, Chevelston the Duck, and Looney Toons! No wonder I'm anti-authority.

[d_goddard]

Anyone grow up in Chicago watching Ray Rayner?

I loved his show.
I loved how he'd always screw up his little projects and get glue all over himself.

"Don't choose 'Q'!"